The Tattooed Poets Project: Pamela Stewart

Our next tattooed poet is Pamela Stewart:

Pamela explains:

"I gave myself the gift of this tattoo of before starting chemotherapy after a lumpectomy; I always thought if I ever had a small press I would have a 'Blue Llama' imprint. This piece [below] - perhaps not quite a poem - has nothing in common with the image on my forearm except for the title. Yet! As I thought about it I realize the 3 stanzas all have to do with the perceptions of an older person. And I would not have become an older person without all my treatments and some damn (knock on wood) good luck. I would never have known the power and smarts of crows; the two poets, had they lived, would have been my contemporaries instead of my babies, and I would never have experienced the bewildering new textures of a post-menopausal face. So! the tattoo is my talisman."

She credits an artist named Reba Rasbury DeViolet for this work.

She sent us this poem, which appeared previously in Hinchas de Poesia's 5th Anniversary issue in 2014:

            BLUE INK

Three crows are eating a rabbit.

Three crows feast. As cars pass

they lift their beaks, almost sniffing.

These crows darkly shine above the tufts of red and grey.

Come evening hundreds will roost by the lake.

I’m told the word black  rose up

from the Sanskrit for gleaming.  

So few things make sense, but that does.

                        *

Two young men left.

For one, death was a dressing gown. Silk.

Death was the other’s muddy boots.

Both had been talking to Death

since they were boys. They never shut up.

One was stark, the other gorgeous.

Two poets, my first muses, my babies.

                        *

These days, my face is a landscape

both mined and forested.

Within the tangled trees, a few small huts

where lost children live.

They stumble across my skin, climb

up my temples into

a thicket of clouds and mice.

They have all the answers, those little ones. 

~~~

Pamela Stewart is the author of several chapbooks and 6 full-length volumes of poems, the latest being Ghost Farm (Pleasure Boat Studio, 2010). She's enjoyed a Guggenheim, a Hawthornden Fellowship and grants from the Massachusetts Cultural Council and the Elizabeth George Foundation. She lives on a farm in western Massachusetts and keep plugging away at that poetry stuff.

Thanks to Pamela for sharing her work with us here on the Tattooed Poets Project on Tattoosday!

This entry is ©2015 Tattoosday. The poem and tattoo are reprinted with the poet's permission.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

The Tattooed Poets Project: Tina Schumann

Tina Schumann, today's tattooed poet, has a symbol on her back that many poets may recognize:

Tina explains:

"At the age of 43 in 2009 I graduated with a MFA from the Rainier Writers Workshop at Pacific Lutheran University in Tacoma, WA. It had long been a dream of mine to attend grad school and truly focus my life on poetry. I had been a fan of Copper Canyon Press for many years and as part of my 'Outside Experience' required program component I was lucky enough to acquire an internship with them.

I then worked for CCP for another year in fundraising. So CCP is close to my heart in many ways. When I learned that the Chinese characters prevalent on all their books was the Chinese translation for poetry (literally 'Word Temple') I knew that tattoo would be the gift I gave myself upon graduation. A kind of reminder to myself of the power of poetry and the central role I wanted it to take in my life. Four of my cohorts and now life-long friends came with me on that day and also got tattoos. This was my second tattoo. The shop where we got the tattoos is now gone, but the memory and tattoo live on."

Tina shared the following poem, which originally appeared in Crab Creek Review:

Random Winter Day

All afternoon we have been waiting

for snow the weatherman promised

at noon. Unreliable though he is

we plied the pantry with potatoes and bread,

milk and a chicken crouched in the freezer.

Now there is time for reverie

to take up larger swaths of the mind. Time

to survey the rooms, walk the floors,

confuse memory with memento, artifact

with fact – like a portrait 

of some long dead family uncovered

in the attic; as silent as the grave, as unknowable

as the remnants scattered in their wake.

The man has perched a bowler on his knee, the rim

of the women’s petticoat frames the buttons

on a turned out shoe. What particulars

quantify them now? Here – in suburbia –

among the old houses made new, the mouth

of every garage tight-lipped, the amorphous

whistle from the train tracks and the occasional car

that guns it up the street. I’ve written this poem before;

the little soul encapsulated in her little hut.

I am learning to live again

with unstable elements; the ghostly motion

of a garden swing, the distant whirr

of wheels and engine, an ambulance blaring

across the valley floor. Here, in the pre-snow silence,

there is time to let slip the juxtaposition of now

and then, house and street, portrait and memory.

Nothing but time to wait

for the texture of twilight to appear

on the kitchen wall, a flutter of white

to float across the face of a window. Now

I will silence the radio, pull out the knife

by its tail and prepare to cleave flesh

from bone, question from action,

time from the stillness of relics.

__________________________

Tina Schumann’s manuscript As If (Parlor City Press) was awarded the 2010 Stephen Dunn Poetry Prize. Her full manuscript was named a finalist in the 2014 Four Way Books Intro Prize and the 2011 National Poetry Series. She is the recipient of the 2009 American Poet Prize and a Pushcart nominee. Schumann is the Assistant Director of Artsmith.org and editor of the forthcoming anthology, Two-Countries: U.S. Daughters and Sons of Immigrant Parents. She holds an MFA from Pacific Lutheran University and her poems have appeared in various publications including The American Poetry Journal, Ascent, Cimarron Review, Crab Creek Review, Midwest Quarterly, Nimrod, Palabra, Parabola, Poemeleon, Poetry International, San Pedro River Review, SubTerrain, Terrain.org, Raven Chronicles and the Yale Journal for Humanities in Medicine. You can read more about Tina's work at http://www.tinaschumann.com/

Thanks to Tina for sharing her tattoo with us here on the Tattooed Poets Project on Tattoosday!

This entry is ©2015 Tattoosday. The poem and tattoo are reprinted with the poet's permission.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.