Showing posts with label Phoenix. Show all posts
Showing posts with label Phoenix. Show all posts

Monday, June 22, 2015

Kathryn's Phoenix Dazzles (at the NYC Tattoo Convention)

Last weekend at the New York City Tattoo Convention, I met Kathryn, who was kind enough to share this incredible phoenix running down the entire side of her right leg:


This spectacular work was done by Rich Fie (Instagram @richfie)  at R & D Tattooing in Queens, new York.

Thanks to Kathryn for sharing her beautiful phoenix with us here on Tattoosday!

This entry is ©2015 Tattoosday.

If you are seeing this on another website other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.


Wednesday, May 27, 2015

Mark's Sleeve by SkullSugar

Yesterday, we enjoyed Maria's work by Fidel "SkullSugar" QuiƱones at Lucky 13 Tattoo n Norwich, Great Britain. If you missed the post, revisit it here.

I only bring it up because, when I met Maria, she was accompanied by Mark, who had a full sleeve that was the handicraft of SkullSugar.

Check it out:


Of course you have the koi, swimming up the arm for good luck, with a phoenix on the opposite side of the forearm.

Mark noted that he works for the fire service, so the phoenix is a nod to that fiery vocation.


Mark also indicated that the green and yellow behind the carp is a subtle nod to the team colors of his favorite football club, Norwich City. "I would never put football emblems," he explained, "so I have a little bit of colour...that's the only personal bit to it."

As for the genesis of the sleeve, starting up top, Mark added, "It started off as a cover-up....I like Japanese work so I just let my artist just do his thing, really... he came up with the idea of a geisha..."


The colors of the work, speckled with the occasional cherry blossom, are really quite bright and vibrant. I don't generally like to photograph full sleeves, because it's hard to do them justice in two-dimensional venue, but I was impressed by this work enough to make an exception. I think we're able to see how nice this work is.
Thanks to Mark for sharing his tattoos with us here on Tattoosday!

This entry is ©2015 Tattoosday.


If you are seeing this on another website other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Saturday, May 2, 2015

Victoria's Tattoos Shine On

I met Victoria last summer next to the New York Stock Exchange, near my office on Broad Street. I spotted this very familiar design and stopped to talk to her about it:


The tattoo is a take on the iconic album cover for Pink Floyd's The Dark Side of the Moon.


"Wish You Were Here" alludes to another Pink Floyd album and title song. "Shine on My Crazy Diamond"  is a variation of the song title "Shine On You Crazy Diamond."

Victoria explained:
"I lost my fiance in November [2013] ... and music was always very big in our relationship, especially bands like Pink Floyd ... very influential and meaningful. A lot of their songs like 'Shine on You Crazy Diamond,' for instance, was a song that I always thought of him, especially when he was gone. He just always was my crazy diamond. So of course that's why I got Dark Side of the Moon on my back, Shine on My Crazy Diamond, and of course I had to add Wish You Were Here because I miss him every day."
She also has this phoenix above her ankle: 


Victoria elaborated:
"It's the phoenix rising from the fire and I've had a lot of hardship in my life, had a lot of things happen to me, I've always had to let it consume me or rise above it, especially this last time and so I'm like a phoenix. I've always been reborn and I've always been able to make it through the storm."
Both tattoos were done at Smith Street Tattoo Parlour in Brooklyn.

Thanks to Victoria for sharing her tattoos with us here on Tattoosday!

This entry is ©2015 Tattoosday.

If you are seeing this on another website other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

Tuesday, January 29, 2013

Steve's Sleeve and the Narrative Behind It

Earlier this month, I was in the Fort Greene section of Brooklyn for a mixer for The Brooklyn Crescents lacrosse program.

The event was held at Der Schwarze Kolner, a beer garden that offered up some tasty beverages. Over the course of the evening, I noticed one of the employees who was diligently passing out frosty steins to patrons. I introduced myself and asked if I could photograph his sleeve:


Since Steve was working, I asked him to e-mail me with details about the tattoo, and he didn't disappoint, even sending along a collage of the sleeve so our readers could get a better look at the full scope of the artwork:


One of the aspects missing in both photos is this part, which I captured when Steeve bent his arm:


Steve explained:
"First, one needs to know that this tattoo was about 4-5 years in the making before I sat for my first session. So I definitely thought about it for a long while. It was originally inspired by a Bansky stencil in which a woman in a dress is shooting herself in the head. From this bloody mess emerges a number of butterflies. Interpret what you will... I took this to mean rebirth after death and the cleansing properties of fire. I had studied medieval alchemy heavily as a graduate student, and this symbolism of death and rebirth through flame resonated with me greatly. Plus, I know that each of us has a fiery  self-destructive side and I am no exception. I wanted to honor that side of myself and also to silently pay homage to those friends over the years that I have lost to suicide.

So working closely with Joy Rumore at Twelve 28 Tattoo in Williamsburg, Brooklyn, we designed the upper sleeve [that] would show a woman, slightly cartoon-like and pin-up styled, holding a gun to her head. Rather than a bloody mess like in the stencil, I wanted her face to be content and pretty. Her hair burns red and orange like the fire elemental she is. From the gun, which has been fired, emerges stars and smoke. From the smoke, moving down the sleeve, emerges a spiral galaxy and more stars in negative space. The bottom sleeve is dominated by a salamander and a phoenix inside of a retort.

These two creatures are mythical symbols of fire, as they both burn up and rise from their own ashes. Fire blows from the top of the retort, and a 1up Mario Mushroom [visible in the top photo at the bottom of the sleeve, near the wrist], the one overt pop-culture reference on my arm, comes forth again illustrating rebirth and 'extra' life after death. Other features of the sleeve are the bullet casing, which is haloed inside my elbow pit, and the final black star on the inside of my wrist, which has the alchemical symbol for Mercury within. Mercury is the activator, the 'invisible, secretly working fire' of the purification process. Lastly, the Latin words MUNDUS VULT DECIPI are inscribed on my arm. They translate to 'the world wishes to be deceived.' I agree with this saying, attributed to the Roman Petronius (1st c. AD), as many individuals live life 'asleep.' Only though the fire can one truly awake into a higher self.
Still, despite the short novel of meaning I find and imbue into this tattoo, overall it is a beautiful piece of art and I couldn't be happier with Joy's work. She was very patient with me as we completed the piece over the course of three years! Money ran tight at times and our schedules conflicted, but in truth the time allowed for us to work together and for the tattoo to organically take shape. For instance, the bottom sleeve was not designed at all when we began the top sleeve. I remember suggesting to Joy the idea of the 1up Mushroom blasting from the retort, only to have her laugh with enjoyment at how nicely it would bring things together. You know you have found an excellent tattoo artist when they are genuinely interested and excited to work to create a shared piece of art.
I guess that's my sleeve's story then. Oh, and by the way, the girl has no name and I doubt she ever will!"
Steve's praise for Joy Rumore is not unfounded. She's a remarkable artist who has had work featured on Tattoosday several times before (click here to link to all previous posts tagged with her shop).

I greatly appreciate Steve sharing his sleeve with us, and for taking the time to give us a full and thoughtful explanation of the design process. Thank you Steve!

This entry is ©2013 Tattoosday.

If you are seeing this on another website other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.