He tells us:
Often referred to as “The Shaman” or “The Sorceror,” my tattoo is based on a sketch by Henri Breuil of a cave painting from a cavern in Trois-Frères, Ariège, France. Breuil, a French archeologist, claimed that the drawing/etching represented a Paleolithic shaman, a kind of happy hunting juju. I’ve always been intrigued by this particular image---I remember seeing a picture of it when I was fairly young, probably in some Time-Life book about cave art or something. For me, it represents a connection to our not-so-distant Paleolithic past and I do hunt, so maybe some of its juju will rub off. I have several other cave art tattoos, so it’s also part of an ongoing theme on my body. There’s something very visceral and ancient about it. There is also the question: why did they make this art?
The tattoo was done by Riley Baxter at Pussykat Tattoo in Las Vegas.
The poem that Christopher sent us keeps with the Paleothic theme:
Considering the fossils
once sap
now combustible
stone
once called electron
carved petrified sun
once mixed
with rose-oil
for failing eyes
now eyes
warm to the touch
burned as incense
burning to remember
and when you dig
it is hard to believe
the stone
was once wood
its rings now ring
with a finger's flick
no longer
ligneous
bark and cambium
visible
in cross-section
how to believe
that gingko leaves
leave behind
fan-shapes
veins and chloroplasts
almost intact
no xylem
left after rain
and pressure
and layers
and layers
of sand and relentless
lithography
~ ~ ~
Thanks to Christopher for sharing his tattoo and poem with us here on Tattoosday's Tattooed Poets Project!
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